In Envy, with his utterly strange and al closely evil main character, Olesha seems to be scathingly criticizing the Soviet establishment of values, ideals, and government. He juxtaposes Babichev the Communist with Kavalerov the Capitalist. Babichev is pie-eyed and successful in a musical mode that Kavalerov envies, wishing that the system were different so that he, too, could rise to the top, except through his admit respective(prenominal)ity--but, as he realizes, with Communism theres no way for an individual to achieve success...I want to demonstrate the sop up of my own personality. I want my own glory....And now Im told: not even the most remarkable personality, let al bingle yours, is value anything (267). Though Olesha himself was a undeviating supporter of Communism during the time of the Revolution, his utilization of the anti-Communist character Kavalerov and his in a higher plate speech seems to be a criticism of the system on Oleshas own part. And while as a reader I pity Kavalerov for being trapped in this Communist cage, it seems as though Olesha is denouncing Capitalism at the same time by portraying his character as so unlikable.
On the one hand, we find the Communists, such(prenominal) as Babichev, who go on discharge as pompous, arrogant, uncaring, and funnily cold. On the other hand, we have the Capitalists, such as Kavalerov and Ivan Babichev, who come off as weak, pathetic, and miserable failures. date this is also a psychological study of personalities such as these, it seems that Olesha has become disillusioned with the Soviet government, and is using these undesirable c haracters to stick the flaws and failures o! f both study systems. If you want to get a honorable essay, order it on our website:
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